The 'Hang it all' coat rack designed by Charles and Ray Eames, which comes in a variety of colour combinations, encourages children to literally hang up all their things. With its colourful wooden balls, 'Hang it all' is a cheerful alternative to conventi
The Rotary Tray is a contemporary rendering of the classic etagere by Jasper Morrison. Thanks to its simple shape and subtle colours, the Rotary Tray complements any interior style and lends itself to many different uses. Whether in the kitchen or on the
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – th
De Nelson Bench is gemaakt van essenhout en combineert de natuurlijke kleur van de zitting met de zwarte afwerking van het onderstel. De strakke, lineaire vorm benadrukt de architecturale achtergrond van de ontwerper, George Nelson. Het ontwerp kan gebrui
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
Conceived by Verner Panton in 1959, the Panton chair was developed for serial production in collaboration with Vitra. Today, the all-plastic chair is an icon of twentieth-century design. It has received numerous international design awards.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
High Tray is Jasper Morrison's further development of an idea that began with Rotary Tray: giving the classic display bowl a contemporary twist. High Tray is a flat plastic dish on a 12 cm high base, in a design and colouring suited to diverse utilisation
Charles and Ray Eames enriched the collage-like interior of their private home, the Eames House, with numerous objects and accessories that they brought back from their travels. For over fifty years, the figure of a wooden bird has stood in the centre of
The Akari Light Sculptures by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’
The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The grab-and-go stora
Jean Prouvé designed the Lampe de Bureau (1930), a small table lamp made of sheet steel, for the halls of residence at the Cité Universitaire in Nancy.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – th
A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours.
The Herringbone Vessels are created by repeatedly immersing ceramic bowls and vases in a coloured glaze. This process yields a pattern with an intrinsic logic, determined by the dipping angle as well as the shape and weight of the piece. As the dyeing pro
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – th
In the early 1940s, Charles and Ray Eames spent several years developing and refining a technique for moulding plywood into three-dimensional shapes, creating a series of furniture items and sculptures in the process. Among these initial designs, the two-
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – th
Vitra and Jasper Morrison have successfully translated the basic principle and distinctive comfort of the classic cantilever chair into an ergonomic model: EVO-C. Morrison's aim was to eliminate all superfluous details.
A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours and the powder-coated base is suitable for outdoor use.
Tip Ton by Edward Barber and Jay Osgerby is more than just an all-plastic chair with a distinctive contemporary design. Thanks to an alternative forward-tilt position, it also provides ergonomic seating. It is stackable and 100% recyclable.
