The Colour Frame Mirror by Julie Richoz is enriching the category of mirrors with its striking design, inspired by building blocks and their possible combinations.
Designed by Jasper Morrison, the All Plastic chair is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to t
Designed by Dorothee Becker, Uten.Silo (1969/70) brings order to offices, kitchens, workshops, bathrooms and children's rooms. It is available in two different sizes and three colour options: white, black or red.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
The Vitra Repad is the new desk pad from the Bouroullec brothers.This is not only suitable as a desk pad for different paper sizes, but also gives structure and modernity to your personal workplace.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
Since the early 1950s, when Charles and Ray Eames developed their Plastic Chairs, these furnishings have become icons of American mid-century modernism.
Vitra Cushions come in a collection of various sizes. They can be used either as back cushions or for purely decorative purposes and provide soft pleasant comfort.
The Plastic Chairs number among the most well-known designs by Charles and Ray Eames. One model has always stood out in this large family of chairs: the Rocking Armchair Rod Base (RAR).
The small Lounge Chair Wood (LCW) is an iconic design by Charles and Ray Eames that dates from the period of their early experiments with three-dimensionally moulded plywood.
De Nelson Bench is gemaakt van essenhout en combineert de natuurlijke kleur van de zitting met de zwarte afwerking van het onderstel. De strakke, lineaire vorm benadrukt de architecturale achtergrond van de ontwerper, George Nelson. Het ontwerp kan gebrui
Chaise Tout Bois corresponds to one of Jean Prouvé's design variants from 1941, whose construction does not require a single screw. The height and seat geometry are the same as those of the Standard chair and thus meet current norms and requirements.
Tip Ton by Edward Barber and Jay Osgerby is more than just an all-plastic chair with a distinctive contemporary design. Thanks to an alternative forward-tilt position, it also provides ergonomic seating. It is stackable and 100% recyclable.
With the 2019 update, colour now links the Eames Plastic Chairs and Eames Fiberglass Chairs that have long belonged together. An extensive process of research led to the creation in which the two groups of chairs reaffirm their affinity with one another.
With the 2019 update, colour now links the Eames Plastic Chairs and Eames Fiberglass Chairs that have long belonged together. An extensive process of research led to the creation in which the two groups of chairs reaffirm their affinity with one another.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
A synchronised mechanism is concealed beneath the upholstery of the Grand Repos wing chair and can be locked in any position, for optimum back support and utmost comfort at any reclining angle.
The Akari Light Sculptures by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’
