A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours and the powder-coated base is suitable for outdoor use.
Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
High Tray is Jasper Morrison's further development of an idea that began with Rotary Tray: giving the classic display bowl a contemporary twist. High Tray is a flat plastic dish on a 12 cm high base, in a design and colouring suited to diverse utilisation
The Eames Elephant, originally designed in the 1940s, is now available in durable plastic. A playful design classic in a range of colours, perfect for kids or as décor.
The contours of Courier can be read as an expression of this artistic approach, but also testify to Bouroullec's flair for form and composition as well as his technical expertise. The desk effortlessly combines two high-quality materials.
Rookie (2018) by Konstantin Grcic is a small, agile and – by office standards – unconventionally simple chair. It provides a high level of immediate comfort with a minimal number of adjustments.
Conceived by Verner Panton in 1959, the Panton chair was developed for serial production in collaboration with Vitra. Today, the all-plastic chair is an icon of twentieth-century design. It has received numerous international design awards.
Jean Prouvé designed the Lampe de Bureau (1930), a small table lamp made of sheet steel, for the halls of residence at the Cité Universitaire in Nancy.
The Plastic Chairs RE by Charles and Ray Eames were the first industrially produced chairs made of plastic. Today Vitra manufactures the iconic seat shells from recycled plastic. The shells can be combined with a wide variety of bases.
The Akari Light Sculptures by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’
Designed in 1950, the LTR Table by Charles and Ray Eames is a compact, versatile piece. A timeless side table, perfect on its own or in playful groupings.
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
Since the early 1950s, when Charles and Ray Eames developed their Plastic Chairs, these furnishings have become icons of American mid-century modernism.
Designed by Jasper Morrison, the All Plastic chair is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to t
A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours.
The Rotary Tray is a contemporary rendering of the classic etagere by Jasper Morrison. Thanks to its simple shape and subtle colours, the Rotary Tray complements any interior style and lends itself to many different uses. Whether in the kitchen or on the
Designed in 1950, the LTR Table by Charles and Ray Eames is a compact, versatile piece. A timeless side table, perfect on its own or in playful groupings.
Soft Seats are loose seat cushions that add comfort to unupholstered chairs. They are available in three shapes and can be used on diverse chair models. The covers are offered in leather and a choice of fabrics and come in a wide palette of colours.
De Nelson Bench is gemaakt van essenhout en combineert de natuurlijke kleur van de zitting met de zwarte afwerking van het onderstel. De strakke, lineaire vorm benadrukt de architecturale achtergrond van de ontwerper, George Nelson. Het ontwerp kan gebrui
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
