Charles and Ray Eames enriched the collage-like interior of their private home, the Eames House, with numerous objects and accessories that they brought back from their travels. For over fifty years, the figure of a wooden bird has stood in the centre of
A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours and the powder-coated base is suitable for outdoor use.
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms.
The 'Hang it all' coat rack designed by Charles and Ray Eames, which comes in a variety of colour combinations, encourages children to literally hang up all their things. With its colourful wooden balls, 'Hang it all' is a cheerful alternative to conventi
Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
Designed by Dorothee Becker, Uten.Silo (1969/70) brings order to offices, kitchens, workshops, bathrooms and children's rooms. It is available in two different sizes and three colour options: white, black or red.
The Colour Frame Mirror by Julie Richoz is enriching the category of mirrors with its striking design, inspired by building blocks and their possible combinations.
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
Conceived by Verner Panton in 1959, the Panton chair was developed for serial production in collaboration with Vitra. Today, the all-plastic chair is an icon of twentieth-century design. It has received numerous international design awards.
Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
This wooden table is a variation of Prouvé's architecturally informed design vocabulary in a natural material, proving that modern tables do not have to be made out of steel and glass.
Tip Ton by Edward Barber and Jay Osgerby is more than just an all-plastic chair with a distinctive contemporary design. Thanks to an alternative forward-tilt position, it also provides ergonomic seating. It is stackable and 100% recyclable.
Jean Prouvé created the first version of the Potence wall lamp for his own home in Nancy: a simple light bulb affixed to a long, pivoting steel bar, which is held by a steel wire.
A synchronised mechanism, concealed beneath the upholstery of the elegant Repos armchair, adapts automatically to the user's weight guaranteeing optimum back support at every angle of inclination.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
In the early 1940s, Charles and Ray Eames spent several years developing and refining a technique for moulding plywood into three-dimensional shapes, creating a series of furniture items and sculptures in the process. Among these initial designs, the two-
L’Oiseau by Ronan and Erwan Bouroullec is a decorative wooden figure which has been milled from natural maple and sanded smooth. Reminiscent of the wooden objects in Nordic folk art.
