Designed by Charles and Ray Eames, the solid walnut or natural chestnut stools are versatile design classics. Use them as occasional tables, extra seating, or sculptural accents.
Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
The Rotary Tray is a contemporary rendering of the classic etagere by Jasper Morrison. Thanks to its simple shape and subtle colours, the Rotary Tray complements any interior style and lends itself to many different uses. Whether in the kitchen or on the
Charles and Ray Eames enriched the collage-like interior of their private home, the Eames House, with numerous objects and accessories that they brought back from their travels. For over fifty years, the figure of a wooden bird has stood in the centre of
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
The Eames Elephant, originally designed in the 1940s, is now available in durable plastic. A playful design classic in a range of colours, perfect for kids or as décor.
Conceived by Verner Panton in 1959, the Panton chair was developed for serial production in collaboration with Vitra. Today, the all-plastic chair is an icon of twentieth-century design. It has received numerous international design awards.
The Akari Light Sculptures by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’
Designed in 1950, the LTR Table by Charles and Ray Eames is a compact, versatile piece. A timeless side table, perfect on its own or in playful groupings.
The Colour Frame Mirror by Julie Richoz is enriching the category of mirrors with its striking design, inspired by building blocks and their possible combinations.
The Hang it All by Charles and Ray Eames is a playful coat rack with colourful wooden balls. A cheerful design classic, perfect for any room in the home.
High Tray is Jasper Morrison's further development of an idea that began with Rotary Tray: giving the classic display bowl a contemporary twist. High Tray is a flat plastic dish on a 12 cm high base, in a design and colouring suited to diverse utilisation
Designed by Dorothee Becker, Uten.Silo (1969/70) brings order to offices, kitchens, workshops, bathrooms and children's rooms. It is available in two different sizes and three colour options: white, black or red.
Reminiscent of the rudder of an aircraft or ship, the streamlined shape of the two wall brackets of the Rayonnage Mural bookcase (1936) is a recurring element in Prouvé's creative oeuvre.
This wooden table is a variation of Prouvé's architecturally informed design vocabulary in a natural material, proving that modern tables do not have to be made out of steel and glass.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
Designed in 1950, the LTR Table by Charles and Ray Eames is a compact, versatile piece. A timeless side table, perfect on its own or in playful groupings.
In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms.
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
