Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
The Colour Frame Mirror by Julie Richoz is enriching the category of mirrors with its striking design, inspired by building blocks and their possible combinations.
In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms.
Designed by Dorothee Becker, Uten.Silo (1969/70) brings order to offices, kitchens, workshops, bathrooms and children's rooms. It is available in two different sizes and three colour options: white, black or red.
Reminiscent of the rudder of an aircraft or ship, the streamlined shape of the two wall brackets of the Rayonnage Mural bookcase (1936) is a recurring element in Prouvé's creative oeuvre.
Charles and Ray Eames enriched the collage-like interior of their private home, the Eames House, with numerous objects and accessories that they brought back from their travels. For over fifty years, the figure of a wooden bird has stood in the centre of
Petit Repos adds a low lounge chair to the family of chairs by Antonio Citterio. Like the Grand Repos and Repos lounge chairs, it is distinguished by its high-quality materials, outstanding comfort and contemporary design.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
The Hang it All by Charles and Ray Eames is a playful coat rack with colourful wooden balls. A cheerful design classic, perfect for any room in the home.
Reminiscent of the rudder of an aircraft or ship, the streamlined shape of the two wall brackets of the Rayonnage Mural bookcase (1936) is a recurring element in Prouvé's creative oeuvre.
Vitra Cushions come in a collection of various sizes. They can be used either as back cushions or for purely decorative purposes and provide soft pleasant comfort.
The Coconut Chair by George Nelson is a spacious lounge chair with an instantly recognisable shape that makes a striking accent in diverse settings such as lobbies, lounges and waiting areas.
Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
This wooden table is a variation of Prouvé's architecturally informed design vocabulary in a natural material, proving that modern tables do not have to be made out of steel and glass.
Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
The Standard chair by Jean Prouvé has evolved into one of the most famous classics of the French 'constructeur'. The seat and backrest of this understated, iconic chair are available in various types of wood, and the metal frame comes in different colours
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
L’Oiseau by Ronan and Erwan Bouroullec is a decorative wooden figure which has been milled from natural maple and sanded smooth. Reminiscent of the wooden objects in Nordic folk art.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
The ETR Table by Charles and Ray Eames, often called the “surfboard table,” features an elliptical top and wire base. Elegant, timeless, and versatile in design.
