Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
Designed by Charles and Ray Eames, the solid walnut or natural chestnut stools are versatile design classics. Use them as occasional tables, extra seating, or sculptural accents.
Charles and Ray Eames enriched the collage-like interior of their private home, the Eames House, with numerous objects and accessories that they brought back from their travels. For over fifty years, the figure of a wooden bird has stood in the centre of
Designed by Jasper Morrison, the All Plastic chair is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to t
Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
Designed by Dorothee Becker, Uten.Silo (1969/70) brings order to offices, kitchens, workshops, bathrooms and children's rooms. It is available in two different sizes and three colour options: white, black or red.
The robust members of the Cork Family stand firmly, making them suited for use as side tables or stools. They benefit from the advantageous natural properties of cork: comparatively lightweight and extremely durable, they also have a velvety surface that
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
Jean Prouvé designed the Lampe de Bureau (1930), a small table lamp made of sheet steel, for the halls of residence at the Cité Universitaire in Nancy.
The Hang it All by Charles and Ray Eames is a playful coat rack with colourful wooden balls. A cheerful design classic, perfect for any room in the home.
A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours.
The small Lounge Chair Wood (LCW) is an iconic design by Charles and Ray Eames that dates from the period of their early experiments with three-dimensionally moulded plywood.
The Akari Light Sculptures by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’
The Eames Elephant, originally designed in the 1940s, is now available in durable plastic. A playful design classic in a range of colours, perfect for kids or as décor.
The Standard chair by Jean Prouvé has evolved into one of the most famous classics of the French 'constructeur'. The seat and backrest of this understated, iconic chair are available in various types of wood, and the metal frame comes in different colours
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
